Thalassodromeus is a genus of pterosaur that lived in what is now Brazil during the Early Cretaceousperiod, about a hundred million years ago. The original skull, discovered in 1983 in the Araripe Basin of northeastern Brazil, was collected in several pieces. In 2002, the skull was made the holotype specimen of Thalassodromeus sethi by palaeontologistsAlexander Kellner and Diogenes de Almeida Campos. The generic name means "sea runner" (in reference to its supposed mode of feeding), and the specific name refers to the Egyptian god Seth due to its crest being supposedly reminiscent of Seth's crown. Other scholars have pointed out that the crest was instead similar to the crown of Amon. A jaw tip was assigned to T. sethi in 2005, became the basis of the new genus Banguela in 2014, and assigned back to Thalassodromeus as the speciesT. oberlii in 2018. Another species (T. sebesensis) was described in 2015 based on a supposed crest fragment, but this was later shown to be part of a turtle shell.
Thalassodromeus had one of the largest known skulls among pterosaurs, around 1.42 m (4 ft 8 in) long, with one of the proportionally largest cranial crests of any vertebrate. Though only the skull is known, the animal is estimated to have had a wingspan of 4.2 to 4.5 m (14 to 15 ft). The crest was lightly built and ran from the tip of the upper jaw to beyond the back of the skull, ending in a unique V-shaped notch. The jaws were toothless, and had sharp upper and lower edges. Its skull had large nasoantorbital fenestrae (opening that combined the antorbital fenestra in front of the eye with the bony nostril), and part of its palate was concave. The lower jaw was blade-like, and may have turned slightly upwards. The closest relative of Thalassodromeus was Tupuxuara; both are grouped in a clade that has been placed within either Tapejaridae (as the subfamily Thalassodrominae) or within Neoazhdarchia (as the family Thalassodromidae). (Full article...)
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Portrait by Ferdinand Krumholz, 1850
DomPedro Afonso (19 July 1848 – 10 January 1850) was the Prince Imperial and heir apparent to the throne of the Empire of Brazil. Born at the Palace of São Cristóvão in Rio de Janeiro, he was the second son and youngest child of Emperor Dom Pedro II and Dona Teresa Cristina of the Two Sicilies, and thus a member of the Brazilian branch of the House of Braganza. Pedro Afonso was seen as vital to the future viability of the monarchy, which had been put in jeopardy by the death of his older brother Dom Afonso almost three years earlier.
Pedro Afonso's death from fever at the age of one devastated the Emperor, and the imperial couple had no further children. Pedro Afonso's older sister Dona Isabel became heiress, but Pedro II was unconvinced that a woman could ever be accepted as monarch by the ruling elite. He excluded Isabel from matters of state and failed to provide training for her possible role as empress. With no surviving male children, the Emperor came to understand that the imperial line was destined to end with his own death. (Full article...)
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Tec Toy S.A., trading asTectoy since late 2007, is a Brazilian toy and electronics company headquartered in São Paulo. It is best known for producing, publishing, and distributing Sega consoles and video games in Brazil. The company was founded by Daniel Dazcal, Leo Kryss, and Abe Kryss in 1987 because Dazcal saw an opportunity to develop a market for electronic toys and video games, product categories that competitors did not sell in Brazil at the time. The company stock is traded on the Bovespa.
Soon after its founding, Tectoy completed a licensing agreement with Sega allowing it to market a laser gun game based on the Japanese anime Zillion, which sold more units in Brazil than in Japan. Tectoy would later bring the Master System and Mega Drive to the region, as well as Sega's later video game consoles and the Sega Meganet service. Other products developed by Tectoy include educational toys such as the Pense Bem, karaoke machines, and original Master System and Mega Drive games released exclusively in Brazil, such as Férias Frustradas do Pica-Pau and Portuguese translations and alternate versions of video games. Over its history, Tectoy has diversified to include more electronic products, such as DVD and Blu-ray players and the Zeebo console. While successful at times, the company has also undergone debt restructuring in 2000 and actions to consolidate its two public stock offerings into one. (Full article...)
Maurício Gugelmin (born 20 April 1963) is a Brazilian former racing driver. He took part in both Formula One and Championship Auto Racing Teams (CART). He participated in 80 Formula One Grands Prix, debuting in 1988 for the March team. Gugelmin achieved one top-three finish and scored a total of ten championship points in the series. He competed in CART between 1993 and 2001, starting 147 races. Gugelmin won one race, in 1997 in Vancouver, finishing fourth in the championship that year. His best result in the Indianapolis 500 was in 1995 where he started and finished in sixth position, leading 59 laps. For a period, he held the world speed record for a closed race track, set at California Speedway in 1997 at a speed of 240.942 mph (387.759 km/h). Gugelmin retired at the end of 2001 after a year that included the death of his third child. (Full article...)
After the Sequel was inspired by Sonic Heroes and other games both inside and outside the Sonic series, and it was developed with Sonic Worlds, an engine based in Multimedia Fusion 2 that reduces the amount of computer programming involved in game creation. It was released as a free download for Windows personal computers on June 15, 2013. The game was very well received by video game journalists, who lauded its preservation of retro Sonic gameplay and its 1990s-style soundtrack. The trilogy of Before the Sequel, After the Sequel, and their successor Sonic Chrono Adventure performed unusually well for fangames, having been downloaded 120,000 times by March 2014. (Full article...)
Tenders to create the mascots were only accepted from Brazilian companies. The final designs were unanimously selected in August 2013 by a panel of judges comprising media professionals and representatives from various Olympic organizations. They were revealed to the public without names on 23 November 2014. Following a three-week online vote which ended on 14 December 2014, the public named the two mascots after Vinicius de Moraes and Antônio Carlos "Tom" Jobim, the co-writers of the 1962 bossa nova song "The Girl from Ipanema". (Full article...)
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Drymoreomys is a rodentgenus in the tribe Oryzomyini that lives in the Atlantic Forest of Brazil. The single species, D. albimaculatus, is known only from the states of São Paulo and Santa Catarina and was not named until 2011. It lives in the humid forest on the eastern slopes of the Serra do Mar and perhaps reproduces year-round. Although its range is relatively large and includes some protected areas, it is patchy and threatened, and the discoverers recommend that the animal be considered "Near Threatened" on the IUCN Red List. Within Oryzomyini, Drymoreomys appears to be most closely related to Eremoryzomys from the Andes of Peru, a biogeographically unusual relationship, in that the two populations are widely separated and each is adapted to an arid or a moist environment.
With a body mass of 44–64 g (1.6–2.3 oz), Drymoreomys is a medium-sized rodent with long fur that is orange to reddish-buff above and grayish with several white patches below. The pads on the hindfeet are very well developed and there is brown fur on the upper sides of the feet. The tail is brown above and below. The front part of the skull is relatively long and the ridges on the braincase are weak. The palate is short, with its back margin between the third molars. Several traits of the genitals are not seen in any other oryzomyine rodent. (Full article...)
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Brainstorm (Portuguese: Bicho de Sete Cabeças) is a 2000 drama film directed by Laís Bodanzky based on the autobiographical book Canto dos Malditos by Austregésilo Carrano Bueno [pt]. The film was made through a partnership between Brazilian and Italian studios and starred Rodrigo Santoro, Othon Bastos and Cassia Kiss. The film tells the story of Neto, a young man who is admitted to a psychiatric hospital after his father discovers he is a user of marijuana. There, Neto is subjected to abuse. In addition to abuse by psychiatric hospitals, the film deals with the issues of drugs and relationships between fathers and sons.
Bodanzky read Carrano's book in 1996 and, impressed by the theme, assigned Luiz Bolognesi to adapt it into a film and transpose its setting from the 1970s to the 1990s. In addition to keeping the film in the present, Bodanzky chose to make it a documentary-style film to create greater impact on the viewer. Bolognesi began writing in 1997 with the freedom to make changes to the original story. The film was shot in early 2000 in São Paulo, and was edited and finalized in Italy. (Full article...)
Noronhomys vespuccii, also known as Vespucci's rodent, is an extinct rat species from the islands of Fernando de Noronha off northeastern Brazil. Italian explorer Amerigo Vespucci may have seen it on a visit to Fernando de Noronha in 1503, but it subsequently became extinct, perhaps because of the exotic rats and mice introduced by the first explorers of the island. Numerous but fragmentary fossil remains of the animal, of uncertain but probably Holocene age, were discovered in 1973 and described in 1999.
Noronhomys vespuccii was a fairly large rodent, larger than the black rat (Rattus rattus). A member of the family Cricetidae and subfamily Sigmodontinae, it shares several distinctive characters with Holochilus and related genera within the tribe Oryzomyini, including high-crowned molars with simplified crown features and the presence of several ridges on the skull which help anchor the chewing muscles. Although a suite of traits suggest that Holochilus is its closest relative, it is distinctive in many ways and is therefore classified in a separate genus, Noronhomys. Its close relatives, including Holochilus and Lundomys, are adapted to a semiaquatic lifestyle, spending much of their time in the water, but features of the Noronhomys bones suggest that it lost its semiaquatic lifestyle, after arrival at its remote island. (Full article...)
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Caymmi in 1938
Dorival Caymmi (Brazilian Portuguese:[doɾiˈvawkaˈĩmi]; April 30, 1914 – August 16, 2008) was a Brazilian singer, songwriter, actor, and painter active for more than 70 years, beginning in 1933. He contributed to the birth of Brazil's bossa nova movement, and several of his samba pieces, such as "Samba da Minha Terra", "Doralice" and "Saudade da Bahia", have become staples of música popular brasileira (MPB). Equally notable are his ballads celebrating the fishermen and women of Bahia, including "Promessa de Pescador", "O Que É Que a Baiana Tem?", and "Milagre". Caymmi composed about 100 songs in his lifetime, and many of his works are now considered to be Brazilian classics. Both Brazilian and non-Brazilian musicians have covered his songs.
Ben Ratliff of The New York Times wrote that Caymmi was "perhaps second only to Antônio Carlos Jobim in 'establishing a songbook of [the 20th] century's Brazilian identity.'" Throughout his career, his music about the people and culture of Bahia influenced Brazil's image in the eyes of both Brazilians and foreigners. Caymmi was married to Brazilian singer Stella Maris for 68 years, and the couple's children, Dori, Danilo, and Nana, are also prominent musicians. Each debuted professionally by accompanying Caymmi onstage and in recordings. In 2014, Caymmi's granddaughter Alice also began a musical career. (Full article...)
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Pedra da Gavea, Rio de Janeiro. The "eyes" of the "face" are looking towards the right-hand of this picture. The etchings that can be seen on the dome of the mountain make up the supposed inscription. Pedra da Gávea is a mountain in Tijuca Forest, Rio de Janeiro, Brazil. Differential weathering on one side of the rock has created what is described as a stylized human face, and weathered markings on another face of the rock have been described as an inscription. Some individuals, such as Bernardo de Azevedo da Silva Ramos, have advanced the position that the inscription is of Phoenician origin and possibly proof of pre-Columbian contact from Old World cultures. Alternative theories proposed include that the rock was the site of a Norse colony or that it is connected with suspected UFO activity.
Mainstream geologists and scientists are in agreement that the "inscription" is the result of erosion and that the "face" is a product of pareidolia. No credible evidence has ever been collected that backs up the idea that Pedra da Gávea was discovered by Phoenicians or any other civilization. Furthermore, the consensus of archaeologists and scholars in Brazil is that the mountain should not be viewed as an archaeological site, and hypotheses that regard it as such are fringe theories. (Full article...)
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Bahia sometime before its mid-1920s modernization, as indicated by its two funnels
Bahia was the lead ship of a two-vessel class of cruisers built for Brazil by the British company Armstrong Whitworth. Crewmen mutinied in November 1910 aboard Bahia, Deodoro, Minas Geraes, and São Paulo, beginning the four-day Revolta da Chibata (Revolt of the Lash). Brazil's capital city of Rio de Janeiro was held hostage by the possibility of a naval bombardment, leading the government to give in to the rebel demands which included the abolition of flogging in the navy. During the First World War, Bahia and its sister ship Rio Grande do Sul were assigned to the Divisão Naval em Operações de Guerra (Naval Division in War Operations), the Brazilian Navy's main contribution in that conflict. The squadron was based in Sierra Leone and Dakar and escorted convoys through an area believed to be heavily patrolled by U-boats.
Bahia was extensively modernized in the mid-1920s. It received three new Brown–Curtis turbine engines and six new Thornycroft boilers, and it was converted from coal-burning to oil. The refit resulted in a striking aesthetic change, with the exhaust being trunked into three funnels instead of two. The armament was also modified, adding three 20 mm (0.79 in) Madsen autocannons, a 7 mm (0.28 in) Hotchkiss machine gun, and four 533 mm (21.0 in) torpedo tubes. In the 1930s, it served with government forces during multiple revolutions. (Full article...)
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Umbanda practitioners at a centro in Rio de Janeiro
Umbanda (Portuguese pronunciation:[ũˈbɐ̃dɐ]) is a religion that emerged in Rio de Janeiro, Brazil in the 1920s. Deriving largely from Spiritism, it also combines elements from Afro-Brazilian traditions like Candomblé as well as Roman Catholicism. There is no central authority in control of Umbanda, which is organized around autonomous places of worship termed centros or terreiros, the followers of which are called Umbandistas. The religion is broadly divided between White Umbanda, which is closer to Spiritism, and Africanized Umbanda, which is closer to Candomblé.
A monotheistic religion, Umbanda believes in a single God who is distant from humanity. Beneath this entity are powerful non-human spirits called orixás; in White Umbanda these are viewed as divine energies or forces of nature, while in African-oriented forms they are seen as West African deities and are offered animal sacrifices. The emissaries of the orixás are the pretos velhos and caboclos, spirits of enslaved Africans and of indigenous Brazilians respectively, and these are the main entities dealt with by Umbandistas. At Umbandist rituals, spirit mediums sing and dance in the hope of being possessed by these spirits, through whom the congregations receive guidance, advice, and healing. Umbanda teaches a complex cosmology rooted in spiritual evolution, through a system of reincarnation according to the law of karma. The religion's ethical systems emphasise charity and social fraternity. Umbandistas also seek to reverse harm that they attribute to practitioners of a related tradition, Quimbanda. (Full article...)
Jorge Ben is the sixth studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was released in November 1969 by Philips Records. The album was his first recording for a major label since 1965 when his first stint with Philips ended due to creative differences.
Ben recorded the album alongside producer Manoel Barenbein, the vocal/percussion band Trio Mocotó, and an orchestral section arranged by José Briamonte and Rogério Duprat. It was written by Ben during his previous few years performing independently and developing his unique samba-based style. He incorporated psychedelic and soul music for this lively recording, while his quirky lyrics dealt with everyday life, romances with women, Afro-Brazilian identity, and self-awareness. Guido Alberi's iconic cover for the album also drew on psychedelic influences in its pop-art illustration of Ben and symbols of contemporary Brazilian culture. (Full article...)
Vargas had risen to power in 1930 with the backing of the military, following a revolution that ended a decades-old oligarchy. Vargas ruled as provisional president until the National Constituent Assembly election in 1934. Under a new constitution, Vargas became the constitutional president of Brazil, but following a 1935 communist insurrection, speculation grew over a potential self-coup. Candidates for the 1938 presidential election appeared as early as late 1936. Vargas could not seek re-election, but he and his allies were unwilling to abandon power. Despite loosening political repression after the communist revolt, strong sentiment for a dictatorial government remained, and increasing federal intervention in state governments would pave the way for a coup to take place. (Full article...)
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Transgender history in Brazil comprises the history of transgender (transsexual, third gender, and travesti) people in Brazil and their struggles and organization from the pre-colonial period to the modern day. Before Brazil's colonization, indigenous peoples respected various transmasculine and transfeminine third genders; colonization included public executions of trans people and the systematic imposition of the Western gender binary. In the late 1800s, there were repeated arrests of black travestis and occasional sensationalized news reports of travestis. By the 1920s there were popular drag queens and in the 1950s travestis became popular stars in the theater and revue shows. From the 1960s onward, LGBT periodicals publicly discussed the issues facing travestis and transsexuals.
The military dictatorship in Brazil (1964–1985) carried out mass targeted arrests and media censorship of travestis. Many emigrated to Paris and the majority who remained were pressured into sex work. In the latter half of the dictatorship, censorship loosened and travestis began to re-enter the theatre and organize openly. After the dictatorship, mass arrests continued along with extrajudicial killings by the military and vigilante groups. The homosexual rights movement distanced itself from travestis for respectability. In 1992, the first political travesti organization was created and began advocating for HIV care and against police brutality. Over the next decade, more trans organizations were created and began to partner with gay and lesbian organizations. (Full article...)
Diptychophora galvani is a species of moth in the family Crambidae. It measures about one centimeter in wingspan and is easily distinguished from all closely related species by the color pattern of its forewings. These are orange at their base and tip with a large intermediate gray patch, a pattern not found in any other species of Diptychophora. The female has grayish hindwings, while they are entirely white in the male. The genitalia of both male and female are also quite different from other members of this genus. The biology of the species remains completely unknown, including the host plant of the larval stage, although some species of the tribe Diptychophorini are known to feed on mosses.
Diptychophora galvani is known only from Brazil, where it was collected in the states of Mato Grosso and Minas Gerais, at 700–800 m (2,300–2,600 ft) altitude. There it inhabits the Cerrado ecoregion, consisting of gallery forests and savannahs, with a dry season. It was collected for the first time in 1982 by Vitor O. Becker, but its description by Bernard Landry and Becker was published only in 2021. Its specific epithet, galvani, pays tribute to Ricardo Galvão, a Brazilian physicist who headed the National Institute for Space Research of Brazil and was dismissed in 2019 for publicly opposing the Brazilian president Jair Bolsonaro, a notorious climate change denier. The latter had claimed that data produced by the institute demonstrating the substantial increase in Amazonian forest deforestation following his rise to power, including devastating fires in 2019, were false. The descriptors of the species dedicate the species to Galvão for "his courage in the face of professional adversity", but also because the color of the butterfly's wings recalls that of forest fires. The moth is named "species of the year 2022 of the Swiss Systematics Society". (Full article...)
Two months after its completion in January 1910, Minas Geraes was featured in Scientific American, which described it as "the last word in heavy battleship design and the ... most powerfully armed warship afloat". In November 1910, Minas Geraes was the focal point of the Revolt of the Lash. The mutiny, triggered by racism and physical abuse, spread from Minas Geraes to other ships in the Navy, including its sisterSão Paulo, the elderly coastal defense shipDeodoro, and the recently commissioned cruiser Bahia. Led by João Cândido Felisberto, the mutineers threatened to bombard the Brazilian capital of Rio de Janeiro if their demands were not met. As it was not possible to end the situation militarily—the only loyal troops nearby being small torpedo boats and army troops confined to land—the National Congress of Brazil conceded to the rebels' demands, including a grant of amnesty, peacefully ending the mutiny. (Full article...)
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Catarina approaching Brazil as a Category 1 hurricane on 27 March
The storm developed out of a stationary cold-core upper-level trough on 12 March. Almost a week later, on 19 March, a disturbance developed along the trough and traveled towards the west-southwest until 22 March when a ridge stopped the forward motion of the disturbance. The disturbance was in an unusually favorable environment with a slightly below-average wind shear and above-average sea surface temperatures. The combination of the two led to a slow transition from an extratropical cyclone to a subtropical cyclone by 24 March. The storm continued to obtain tropical characteristics and became a tropical storm the next day while the winds steadily increased. The storm attained wind speeds of 121 km/h (75 mph)—equivalent to a low-end Category 1 hurricane on the Saffir–Simpson scale—on 26 March. At that time, it was unofficially named Catarina and was also the first hurricane-strength tropical cyclone ever recorded in the Southern Atlantic Ocean. Abnormally favorable conditions persisted, resulting in Catarina intensifying further, and it would peak with 1-minute sustained winds of 160 km/h (100 mph) on 28 March. The center of the storm made landfall between the cities of Passo de Torres and Balneário Gaivota, Santa Catarina soon after. Catarina rapidly weakened upon landfall and dissipated later that day. (Full article...)
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The 1943 Santa Cruz squad. Players marked with an X died during the tour. Brazilian professional football club Santa Cruz Futebol Clube toured the North Region of Brazil from 2 January 1943 to 29 April 1943, looking to raise funds in friendly matches. Over the course of almost four months, Santa Cruz played over 25 matches in six different cities, in what became known as the Suicidal Tour (Brazilian Portuguese: Excursão Suicída) and the Death Tour (Brazilian Portuguese: Excursão da Morte), due to several problems faced by the club, such as deaths, the threat of Nazi attacks, and a lack of funding. (Full article...)
In 1904, Brazil began a major naval building program that included three small battleships. Designing and ordering the ships took two years, but these plans were scrapped after the revolutionary dreadnought concept rendered the Brazilian design obsolete. Two dreadnoughts were instead ordered from the United Kingdom, making Brazil the third country to have ships of this type under construction, before traditional powers like Germany, France, or Russia. As such, the ships created much uncertainty among the major countries in the world, many of whom incorrectly speculated the ships were actually destined for a rival nation. Similarly, they also caused much consternation in Argentina and, consequently, Chile. (Full article...)
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The Viscount of Inhaúma around the age of 56, c. 1864
Throughout the chaos that characterized the years when Emperor DomPedro II was a minor, Inhaúma remained loyal to the government. He helped quell a military mutiny in 1831 and was involved in suppressing some of the other rebellions that erupted during that troubled period. He saw action in the Sabinada between 1837 and 1838, followed by the Ragamuffin War from 1840 until 1844. In 1849, after spending two years in Great Britain, Inhaúma was given command of the fleet that was instrumental in subduing the Praieira revolt, the last rebellion in imperial Brazil. (Full article...)
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The gun trials of the Brazilian dreadnoughtMinas Geraes, the ship that began the dreadnought race. Here, all guns capable of training to the port side were fired, forming what was at that time the heaviest broadside ever fired off a warship. A naval arms race among Argentina, Brazil, and Chile—the wealthiest and most powerful countries in South America—began in the early twentieth century when the Brazilian government ordered three dreadnoughts, formidable battleships whose capabilities far outstripped older vessels in the world's navies.
In 1904, the Brazilian legislature allocated substantial funds to improve the country's naval forces. Proponents of this plan believed that they needed a strong navy to become an international power and combat recent naval expansions in Argentina and Chile. The revolutionary design of the 1906 British warship HMS Dreadnought prompted the Brazilians to alter these plans and redirect their money into constructing three Minas Geraes-classdreadnoughts. These warships, the most powerful in the world, entered service at a time when dreadnoughts were an important factor in a nation's international prestige and therefore brought global attention to Brazil. (Full article...)
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Arise is the fourth studio album by Brazilian heavy metal band Sepultura, released in 1991 by Roadrunner Records. Upon its release, the album received top reviews from heavy metal magazines such as Rock Hard, Kerrang! and Metal Forces. Arise is considered Sepultura's finest hour among longtime fans. While the music on Arise was mostly in the same death/thrash style as their previous album, Beneath the Remains, it was clear that the Sepultura sound was acquiring an experimental edge.
The album presented their first incursions with industrial music, hardcore punk and Latin percussion. The tour (1991–1992) that supported the album was the group's longest at that time, totalling 220 shows in 39 countries. During this trek, the album went gold in Indonesia—the band's first music industry certification. By the tour's end, Arise had achieved platinum sales worldwide. (Full article...)
The name "Itaipu" was taken from an isle that existed near the construction site. In the Guarani language, Itaipu means "the sounding stone". The Itaipu Dam's hydroelectric power plant produced the second-most electricity of any in the world as of 2020, only surpassed by the Three Gorges Dam plant in China in electricity production. (Full article...)
An 1868 photo of an Argentinegaucho. The term "gaucho" is used to describe residents of the South Americanpampas, chacos or Patagonian grasslands, found principally in parts of Argentina, Uruguay, Southern Chile and Southern Region, Brazil. It is a loose equivalent to the North American "cowboy" and often connotes the 19th century more than the present day. In those days, gauchos made up the majority of the rural population, herding cows on the vast estancias, and practicing hunting as their main economic activities.
Pipa Beach is a village and beach in the state of Rio Grande do Norte, Brazil. It is situated in the municipality of Tibau do Sul, about 84 km south of the capital of the state, Natal.
The Basilica of the National Shrine of Our Lady of Aparecida is a Catholic basilica located in the Brazilian city of Aparecida. According to local tradition, a group of fishermen caught a statue of the Virgin Mary in their nets in 1717, a find which considerably improved their subsequent catches. One of the fishermen kept the statue at his home, which became a popular site for pilgrims. A small chapel was built to house it, but was replaced by successively larger churches as the statue's popularity grew. The present building was built from 1955, and houses 45,000 people.
A ripe passionfruit and the cross-section of another. Passionfruits are the fruit of the passion flowervine species Passiflora edulis, which is native to Brazil and northeastern Argentina, but is now cultivated commercially in frost-free areas in many countries for its fruit. Passionfruit comes in two varieties: purple (seen here), which is usually smaller than a lemon, and yellow, which is about the size of a grapefruit.
Parodia tenuicylindrica is a small species of cactus native to the Rio Grande do Sul region of Brazil. It grows 4–8 cm (1.6–3.1 in) in height and 2–3 cm (0.8–1.2 in) in width. It has yellow and red-brown spines, white wool and yellow flowers. It produces yellow-green fruit and black seeds.
Fernanda Lima (b. 1977) is a Brazilian actress, model, businesswoman, journalist, and television host. Following a short career in film and telenovelas, she established herself in popular culture as the host of a variety of shows on MTV Brasil, Rede TV!, and Globo TV. In 2014, she was contracted by FIFA to be the muse of the World Cup and of the Ballon d'Or.
Emperor of Brazil Pedro II was the second and last ruler of the Empire of Brazil, reigning for over 58 years. Born in Rio de Janeiro, his father Pedro I's abrupt abdication and flight to Europe in 1831 left him as Emperor at the age of five. Inheriting an Empire on the verge of disintegration, Pedro II turned Brazil into an emerging power in the international arena. On November 15, 1889, he was overthrown in a coup d'état by a clique of military leaders who declared Brazil a republic. However, he had become weary of emperorship and despaired over the monarchy's future prospects, despite its overwhelming popular support, and did not support any attempt to restore the monarchy.
A preparatory study for Discovery of the Land, a mural in the United States Library of Congress Hispanic Reading Room, by Candido Portinari. Portinari was a Brazilianpainter who was a prominent and influential practitioner of the neorealism style. The mural depicts two sailors who might have been found in either the fleets of Christopher Columbus or Pedro Álvares Cabral, and is part of a series of four that show the colonization of the Americas by Europeans.
Bonito is a municipality located in the Brazilian state of Mato Grosso do Sul. It is the capital of ecotourism in Brazil, being famous for its caves, rivers and lakes with transparent or intense blue water.
The Municipal Theatre of São Paulo is a theatre and landmark in São Paulo, Brazil. It is significant both for its architectural value as well as its historical importance; the theatre was the venue for the Modern Art Week in 1922, which revolutionised the arts in Brazil. The building now houses the São Paulo Municipal Symphonic Orchestra, the Coral Lírico (Lyric Choir), and the City Ballet of São Paulo.
Leblon is an affluent neighborhood in Rio de Janeiro, just west of Ipanema, another neighborhood in that city. In the north it is bordered by Gávea, and in the west by a towering hill called "Dois Irmãos", which translates as "two brothers", because of its split peak.
The yacare caiman (Caiman yacare) is a species of caiman found in central South America. About ten million individuals, such as this one, exist within the Brazilian pantanal, representing what may be the largest single crocodilian population on Earth. This small-to-medium sized species feeds mainly on fish (especially piranha), but also eats birds, reptiles, and small mammals.
A series of rock formations, with the Dedo de Deus (God's Finger) peak in the background, at the Serra dos Órgãos National Park in Rio de Janeiro state, Brazil. Established in 1939 as the country's third national park, Serra dos Órgãos National Park contains the Serra dos Órgãos mountain range as well as several water sources.
Photograph credit: unknown; restored by Adam Cuerden
Bertha Lutz (August 2, 1894 – September 16, 1976) was a Brazilian zoologist, politician, and diplomat. She became a leading figure in the Pan-American feminist and human rights movements, and was instrumental in gaining women's suffrage in Brazil. In addition to her political work, she was a naturalist at the National Museum of Brazil, specializing in poison dart frogs. Her collections were destroyed in September 2018, when a fire devastated most of the museum's collections.
Bothrops bilineatus is a highly venomous species of pit viper found in the Amazon region of South America. A pale green arboreal species that may reach 1 m (3.3 ft) in length, it is an important cause of snakebite throughout the entire Amazon region. It is a nocturnal species, spending the day hidden in dense vegetation in lowland rainforest, usually in the vicinity of water. It emerges at night to feed on small mammals, birds, lizards and frogs, tending to rely on ambush rather than actively hunting for prey. This B. bilineatus individual was photographed in an Atlantic Forest preservation area in the state of Bahia in eastern Brazil.
This is a Good article, an article that meets a core set of high editorial standards.
Rio 2016 was a successful bid to host the Games of the XXXI Olympiad and the XV Paralympic Games, respectively. It was submitted on September 7, 2007, and recognized as an Applicant city by the International Olympic Committee (IOC) one week after. On June 4, 2008, the IOC Executive Board shortlisted Rio de Janeiro with three of the six other Applicant cities—Chicago, Madrid and Tokyo; over Baku, Doha and Prague—becoming a Candidate city during the 2008 SportAccord Convention in Athens, Greece.
Rio de Janeiro was shortlisted receiving a 6.4 score, according to a study of its Application File delivered to the IOC Working Group on January 14, 2008. As a Candidate city, Rio de Janeiro submitted its Candidature File to the IOC on February 11, 2009. The dossier was analyzed by the IOC Evaluation Commission, which arrived in the city on April 27, 2009, to assess the quality of the bid. Between April 29 and May 2, the Commission attended technical presentations and made inspections in all the existing venues across the city, giving a favorable assessment in its final report. (Full article...)
Antoine Hercule Romuald Florence (February 29, 1804 – March 27, 1879) was a Monegasque-Brazilian painter and inventor, known as the isolate inventor of photography in Brazil, three years before Daguerre (but six years after Nicéphore Niépce), using the matrix negative/positive, still in use. According to Kossoy, who examined Florence's notes, he referred to his process, in French, as photographie in 1834, at least four years before John Herschel coined the English word photography. (Full article...)
Torres is a city located on the south shore of Brazil in the state of Rio Grande do Sul. It is 197 kilometers away from Porto Alegre, the state capital. The municipality's name was inspired by the three basalt towers that fall into the sea, giving a singular characteristic to the beach. On March 21, 1878, by provincial law, Torres became a municipality.
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